Design

Writing

Dear Ella

By daniel ward

05.09.2023

In a letter to Aotearoa New Zealand artist Ella Sutherland, Berlin-based poet daniel ward reflects on the sensual role of printing technologies and the passage of queer narratives in Sutherland’s practice during her twelve-month residency at Künstlerhaus Bethanien, Berlin.

Calendar

Heather Galbraith, Kelly McDonald, Victoria McIntosh, Neke Moa, Rowan Panther, Deep Material Energy II

05 October —
22 November 2023

Australian Design Centre, Sydney, Australia

Calendar

Nicole Hone, Plant Fever: Towards a Phyto-centred design

29 April —
31 October 2023

Kunstgewerbemuseum Dresden, Dresden, Germany

Calendar

NZPQ, 'Ka emiemi' at Prague Quadrennial of Performance Design and Space 2023

08 June —
18 June 2023

Holešovice Market, Prague, Czech Republic

Writing

Rocks on Wheels and Flying Shoes

By Rosemary Forde

28.03.2023

Curator Rosemary Forde explores the art-historical and civic context in which artist Mike Hewson’s recent public playground in Naarm Melbourne, Rocks on Wheels, has landed. 

Calendar

Wanda Gillespie, Tel Aviv Biennale of Crafts and Design 2023

31 March —
11 November 2023

MUZA, Eretz Israel Museum, Israel

Calendar

Maddie Leach, The fountain: An art-technological-social drama

01 January 2021 —
01 January 2025

Lund Technical University, Lund, Sweden

Calendar

Virginia Leonard, Composition & Layout: Contemporary Design & Objects

17 September —
22 October 2022

Mindy Solomon Gallery, Miami, USA

Writing

The Factory and its Memories

By Kari Schmidt

16.10.2019

A look at artist Matthew Galloway's residency at Cripta 747 in Turin, Italy, and the resulting exhibition The Factory and its Memories, which concentrates on the now defunct Nebiolo factory building, whose history is engrained in Italian graphic design and typography, reflecting Galloway’s own background as a graphic designer.

Writing

Design solves problems and art creates problems

By Eleanor Woodhouse

23.04.2019

A closer look at Biljana Popovic's 12-month Visual Arts Residency at Künstlerhaus Bethanien in Berlin, and how her previous work as a commercial designer informs her current visual arts practice by integrating elements of interior design and architecture.