Sculpture

Calendar

Kate Newby, Respiration

21 July —
02 September 2023

Cooper Cole, Toronto, Canada

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Steve Carr, In Bloom (IndigiGrow)

05 July —
02 October 2023

Museum of Contemporary Art Australia, Sydney, Australia

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Wanda Gillespie, The Ministry for Mystical Reckoning

22 July —
27 August 2023

Stockroom Kyneton, Kyneton, Australia

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Gill Gatfield, residency and 'In Absentia' exhibition

22 June —
23 July 2023

Ionion Center for Arts & Culture, Kefalonia, Greece

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Oliver Smart, Open studio

24 June —
25 June 2023

Cromwell Industrial Estate, London, UK

Calendar

Kate Newby, miles off road

29 June —
19 August 2023

Fine Arts, Sydney, Australia

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Yona Lee, Wall, floor and ceiling

24 June —
27 August 2023

Gertrude Contemporary, Melbourne, Australia

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Virginia Leonard, Splintered: Ali Smith And Virginia Leonard

10 June —
29 July 2023

Mindy Solomon Gallery, Miami, USA

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Kate Newby, What a great year for music

05 May —
15 June 2023

Marfa Book Co, Marfa Texas, USA

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Francis Upritchard, The Inner Island

29 April —
04 November 2023

Villa Carmignac, Porquerolles Island, France

Calendar

Steve Carr, Making Arrangements

03 June —
01 July 2023

STATION, Sydney, Australia

Writing

Rocks on Wheels and Flying Shoes

By Rosemary Forde

28.03.2023

Curator Rosemary Forde explores the art-historical and civic context in which artist Mike Hewson’s recent public playground in Naarm Melbourne, Rocks on Wheels, has landed. 

Calendar

Karen Sewell, Zum Lob der Natur (A Celebration of Nature)

12 May —
14 May 2023

Kunsthaus Dreho, Korschenbroich, Germany

Calendar

Len Lye, Gordon Walters

11 April —
13 May 2023

1301SW, Melbourne, Australia

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Wanda Gillespie, Tel Aviv Biennale of Crafts and Design 2023

31 March —
11 November 2023

MUZA, Eretz Israel Museum, Israel

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Maddie Leach, The fountain: An art-technological-social drama

01 January 2021 —
01 January 2025

Lund Technical University, Lund, Sweden

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James Robinson, Face-Down on the Earth

18 November 2022 —
24 February 2023

Nomadic Art Gallery, Ghent, Belgium

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Kate Newby, We are such stuff

07 September —
22 October 2022

Laurel Gitlen Gallery, New York, USA

Calendar

Dan Arps, Parallel Universe

07 October —
05 November 2022

Neon Parc, Melbourne, Australia

Writing

On Wet Ontologies, Fluid Hierarchies and Hope-Soaked Propositions at the 23rd Biennale of Sydney

By Emma O'Neill

26.08.2022

This year’s Biennale of Sydney, titled rīvus, included the work of Aotearoa-based artists Sopolemalama Filipe Tohi and Mataaho Collective. Emma O’Neill, a writer working on Gadigal Land, responds to the exhibition and some of the work presented by the 89 participants invited to interact with different forms and bodies of water.

Writing

Chance and Impermanence

By Daria de Beauvais, Kate Newby

27.07.2022

Texas-based Aotearoa artist Kate Newby talks to Palais de Tokyo curator Daria de Beauvais about Reclaim the Earth, traversing the ecological questions at the heart of the exhibition, Newby's collaborative process of art making, and her new works commissioned for the exhibition. 

Calendar

David Rickard, Landfall

30 June —
06 August 2022

Copperfield Gallery, London, UK

Calendar

Fiona Connor, Behind the door

13 August —
01 October 2022

Fine Arts, Sydney, Australia

Writing

The Way Through Doors

By Andrew Berardini

22.06.2022

Andrew Berardini visits Fiona Connor’s solo exhibition at Château Shatto in LA, where the artist’s carefully rendered replicas of the doors of closed down clubs conjure up memories of forgotten youth. 

Writing

Purple Rain

By Clémentine Deliss

07.06.2022

Writer and curator Clémentine Deliss reviews Aotearoa artist Ruth Buchanan’s solo exhibition at the Kunstmuseum Basel in Switzerland, an artwork as exhibition that reconfigures collecting history, curatorial practices and institutional norms.

Writing

The Mind’s Eye

By Susanne Prinz

11.05.2022

On the occasion of Gill Gatfield’s first solo exhibition in Berlin, Susanne Prinz, Director of Kunstverein am Rosa-Luxembourg-Platz in Berlin, Germany, reflects on the practice of the Aotearoa artist—from her use of ancient, salvaged materials to her work creating an audience-activated virtual reality experience, and the complex resonances of memory, reality and consciousness in her work. 

Writing

Betty Collings and 'To Begin, Again: A Prehistory of the Wex, 1968–89'

By Dan Munn

07.04.2022

Aotearoa artist and curator Betty Collings acted as Director of the Ohio State University’s Gallery of Fine Art from 1974 to 1980, amassing during that time a significant collection of then-contemporary artworks. With many of these works showcased at the recent exhibition To Begin, Again: A Prehistory of the Wex, 1968-89, Dan Munn looks back to Collings’ influence as a Director and her own, long-running artistic career. 

Writing

“Don’t Learn Anything More!”

By Connie Brown

26.10.2021

Writer Connie Brown pays a visit to Virginia Leonard’s studio, encountering the artist’s “fugly” ceramics and talking with her about recent and upcoming international exhibitions, her process into ceramic-making and the resistance her work offers to traditional notions of wellness, pain and the body. 

Writing

Some Kind of Travelogue

By Esther Lu

18.06.2021

Aotearoa-based artist Sorawit Songsataya’s practice explores the many tangents that connect and redefine our understandings of subjectivity and ecology. Songsataya was invited to participate in the group show, The Turn of the Fifth Age, at Selasar Sunaryo Art Space in Bandung, Indonesia, earlier this year, where they exhibited their work Jupiter. Here, co-curator Esther Lu responds to that work.